Tag Archives: Compromise With Sin

How To Read a Novel MOOC

I told you a few weeks ago that I’d signed up for a free MOOC (Massive Open Online Course) called “How To Read a Novel,” offered by the University of Edinburgh and FutureLearn. Well, I’m woefully behind and probably won’t get caught up. But I can tell you after the first couple of weeks that it’s very well done.

The course blends video lecture, illustrated excerpts from novels, reading assignments, and participant comments. I particularly enjoy the comments. Week 2 was an in-depth look at characterization, and one participant noted that she’s mistaken “having read a lot of books with being well-read.” She plans to re-read a number of books.

Compromise With Sin News

On Saturday I’ll participate in an indie authors event at the San Marcos (TX) Public Library. Called “Going Rogue: Self-Publishing 101,” the event is an opportunity for the public to learn “the various aspects of writing, branding, marketing, and generating sales from an interesting panel discussion.” In addition, I and other authors will display and sell books and talk with visitors.

And next Monday, I’ll visit the book club at Brookdale Gaines Ranch in Austin.

Quotable

To unspool a story is to inhabit a different space altogether. You have to let the world in your head grow until it becomes more important than the world you inhabit.

–Christina Baker Kline

Writer Skillfully Employs Meteor Shower

In the overnight hours of August 12th and 13th, I hope to catch the Perseid meteor shower. I’ve watched for the meteors several times but caught them just once. On that memorable occasion, friends and I had driven into the foothills of Denver to get away from light pollution. After staring up at the night sky for some time, we decided to lie down on the side of the road. Kids, don’t try this, OK?

It’s easy for writers to employ cosmic events in trite ways, but I’m reminded of a passage from Janet Fitch’s White Oleander. Astrid is standing with Ray and others watching for the Quatrandid meteor shower:

Excerpt: I could hear the mud sucking at his boots as he shifted his weight. I was glad it was dark, that he couldn’t see the flush of pleasure on my face as he drew closer, looking up at the sky as if he cared about the Quatrandids, as if that’s why he’d come out. . . . He was standing right next to me. If I shifted just an inch to my left, I could brush him with my sleeve. I felt the radiant heat of him across the narrow gap between us in the darkness. We had never stood so close.

My Take-away: The first line puts us right in the moment, hardly a romantic one, but it lets us know how acutely aware Astrid is of Ray’s presence. The rest of the paragraph reveals the growing mutual attractio without Fitch ever saying so directly.

Let me add that if I had only one book to emulate in terms of writing style, I’d choose White Oleander.

 

Compromise With Sin Available for Pre-order

The Kindle edition of Compromise With Sin will be published on August 19th. It’s available now for pre-order at $3.99.

Quotable

I began to realize how important it was to be an enthusiast in life. If you are interested in something, no matter what it is, go at it full speed. Embrace it with both arms. Hug it. Love it, and above all, become passionate about it. Lukewarm is no good.

–Roald Dahl

Compromise With Sin Earns Kirkus Star

I discovered today that Compromise With Sin , my debut novel, had earned a Star from Kirkus Reviews. I had to do a bit of sleuthing to see what that meant.

Now you may not be familiar with Kirkus Reviews, revered in the publishing industry since the 1930s. Booksellers and libraries and, to a lesser extent, readers rely on Kirkus for top-quality, independent reviews of traditionally published and indie published books.

The Kirkus Star is awarded to about ten percent of the books Kirkus reviews. The Star means I’m a nominee for the 2017 Kirkus Prize in Fiction. The winner will receive $50,000.

I’m still in shock.

What Do You Like or Dislike in a Book Blurb?

I’m a student of blurbs these days, those teasers that appear on the book jacket or on Amazon. I listened to a useful podcast, “How To Write Your Book Sales Description,” in which Joanna Penn interviewed Byron Cohen. (The full transcript is available on the site.) He makes the point that 99% of authors provide a synopsis in their blurbs & says, “That won’t sell.” He then puts forth the elements of a successful blurb.

I’ve started collecting blurbs from Amazon, mostly for historical novels. They range from the very lean blurb for Lonesome Dove, by Larry McMurtry, to those that virtually give away the story, as in The Invention of Wings, by Sue Monk Kidd, & News of the World, by Paulette Jiles. I hate that. (Guess I shouldn’t click on “Read more.”)

My favorite blurb is for Water for Elephants, by Sara Gruen:

Blurb: Jacob Janowski’s luck had run out—orphaned and penniless, he had no direction until he landed on a rickety train that was home to the Benzini Brothers Most Spectacular Show on Earth. A veterinary student just shy of a degree, he was put in charge of caring for the circus menagerie. It was the Great Depression and for Jacob the circus was both his salvation and a living hell. There he met Marlena, the beautiful equestrian star married to August, the charismatic but brutal animal trainer. And he met Rosie, an untrainable elephant who was the great hope for this third-rate traveling show. The bond that grew among this group of misfits was one of love and trust, and ultimately, it was their only hope for survival.

My Take-away:
This description says enough to pique my interest, although to call Jacob “orphaned” is misleading because it suggests he’s a boy or teen.

I’ve struggled with the writing of a blurb for my not-yet-published novel Compromise With Sin. Here’s draft #144. OK maybe I exaggerate.

Compromise With Sin blurb: 

She stops at nothing to maintain a veneer of Victorian respectability, but the consequences of infidelity prove far worse than mere exposure. 

After straying into the arms of Doc Foster and becoming pregnant, small-town civic leader Louise Morrissey faces ruin if anyone─especially her husband─finds out. 

When infection steals the eyesight of her newborn baby, Louise knows it is punishment for her infidelity. What she doesn’t know is that the web of deceit she weaves to safeguard her marriage and reputation will eventually ensnare her husband and daughter with tragic consequences.

Guilt-ridden and seeking redemption, Louise risks revelation of her secrets as she joins Helen Keller in a grassroots movement to end the blinding scourge known as “babies’ sore eyes.”

In a confessional moment, Louise signs in Helen’s hand: “When you wrote ‘they enslave their children’s children who make compromise with sin,’ you were writing about me.”

A fictional version of real events, the story pits Louise, Helen, and others against society’s taboos as they champion what would become one of the greatest public health triumphs of the 20th century.

I’d welcome your feedback on my blurb or any opinion you have about blurbs. Leave a comment.