I’m not fond of novels in which the author compulsively overuses weather and seasons or begins every chapter with atmospheric descriptions of clouds, sunlight, etc. That said, characters don’t exist in a vacuum, and I like getting a sense of their natural environment, especially if it has an impact on them.
Here’s an example of how seasons matter. I live in Austin, Texas, where one of my favorite things about the Easter season is the profusion of wildflowers, which bring out legions of families plopping kids among the bluebonnets for iconic photos. But the season also brings out a plethora of snakes on the move. This is the time of year you’re most likely to see them. They’ve just awakened from hibernation, they’re hungry, and they’re hunting for food.
I’ve just given you two facts. Do one or both matter if your novel is set in Austin in late March or early April? Maybe or maybe not. After all, most of your readers don’t live in Texas. But if you’re aware of these and other seasonal characteristics, you’re better equipped to craft a scene that will feel real to readers.
I could write more about seasons here, but the topic has been covered very well in this post, “Seasonally Adjusted Writing” on Alison Morton’s Writing Blog. Alison is the author of the Roma Nova althistory thriller series, the latest being Carina.
Here’s something else to consider. Brad Whittington, prolific author of novels such as Muffin Man and The Reluctant Saint, uses actual information about weather, and the hour the sun and moon rise and set to inform his writing. His sources are The Farmers Almanac and the U.S. Naval Observatory website. Check them out.
Your thoughts? Leave a comment.
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Whenever I have to choose between two evils, I always like to try the one I haven’t tried before.