For several years I watched other writers worship at the Scrivener altar before I joined the congregation. Several things happened to move me in that direction. I was starting my new novel, and some messianic folks in Austin Novel in Progress testified as to their Scrivener experiences at a tent meeting. (OK, I made up the tent meeting part.)
Before I go further, what is Scrivener? It’s a comprehensive management software program for writers of just about anything: books, screenplays, academic journal articles, etc.
Scrivener, the product of a company called LIterature and Latte, puts everything at my fingertips and allows me to move scenes around with ease. When I’m at a place where I can’t recall a character’s age or hair color, I just click on the character sketch I created and there it is. In that character sketch, I sometimes include a picture to refer to. For example, I have a character who resembles Liam Neeson, but I can’t conjure pictures in my mind, so the visual reference is very useful.
I could go on and on about the powerful features of Scrivener. After using it for the past year, I must say it’s been well worth the steep learning curve. Like any religion, Scrivener has its own language: corkboard, inspector, compiler, etc. My advice to anyone who decides to join is to consult the tutorial videos on YouTube. I found them much easier to follow than Scrivener’s own tutorials. For starters, I recommend “Scrivener: A Quick Review of How It Works and Some of Its Coolest Features,” by Karen Prince.
Basic cost of the software is $45. Academics and students get s break. You can download a free trial at Literature and Latte.
Your thoughts? Leave a comment.
Writers and readers on your gift list? See my post from a year ago, “Unplugged Gifts for Writers and Readers.”
Asking a writer what he feels about criticism is like asking a lamppost what it feels about dogs.